Conversation across continents: an interview with Richard Jordan and Criss Henderson

Two leading figures in the international theatre scene, Richard Jordan and Criss Henderson, joined us for an engaging discussion on the evolution of theatre production, global collaboration, and the future of live performance.

Richard Jordan (United Kingdom) is an Olivier, TONY, and EMMY Award-winning artistic producer, recognized as one of the UK’s most prolific producers. Specializing in new writing and musical theatre, he has been instrumental in discovering, developing, and producing world premieres from a diverse range of emerging and established UK and international artists, often with strong social and political themes. Since founding Richard Jordan Productions in 1998, he has developed over 260 productions globally and earned more than 60 major awards. He is Producing Partner at Chicago Shakespeare Theater and Patron of the Brighton Fringe, the world’s third-largest fringe festival.

Criss Henderson (United States) is a renowned arts executive, producer, and curator of international live performance. As the founding executive director of Chicago Shakespeare Theater, he led the company for over 30 years, transforming it into a leading regional theater and a globally recognized presenter. He spearheaded the citywide Shakespeare 400 Chicago festival, reaching over 1.1 million people through 863 events. Through his new venture, Serendipity Theatricals, he continues to commission new works and foster collaborations to produce innovative, accessible performances. His accolades include a Tony Award, multiple Olivier and Jeff Awards, the Chevalier de l’Ordre des Arts et des Lettres (France), and the Kennedy Center’s Arts Administrator of the Year honor.

Richard and Criss, it’s a pleasure to have you both with us. Let’s start with a broad question: after such accomplished careers, what continues to inspire you in the world of theatre production?

Richard Jordan: For me, it’s the opportunity to discover new voices and bring fresh perspectives to the stage. Theatre remains an incredibly powerful medium for exploring social and political issues. I’m driven by the idea that a single production can shift conversations, challenge audiences, and even change perceptions. And there’s always the thrill of working with creative talent from across the globe, it keeps me energized and curious.

Criss Henderson: I completely agree. What inspires me is the potential for live performance to create meaningful human connections. After years of leading a large institution like Chicago Shakespeare Theater, I’m now focusing through Serendipity Theatricals on creating work that’s intimate, accessible, and innovative. It’s the chance to collaborate in new ways, support artists, and connect diverse audiences that keeps me passionate about this field.

You’ve both worked extensively internationally. How do you see global collaboration shaping the future of theatre?

Richard Jordan: I think global collaboration is essential, especially in times like these when the world feels more interconnected yet divided than ever. Working internationally allows artists and producers to share ideas, explore different cultural narratives, and build bridges through storytelling. It broadens our perspectives as practitioners and offers audiences the chance to experience work they might never encounter otherwise.

Criss Henderson: Absolutely. Global collaboration enriches the art form and ensures its relevance. It’s not just about importing shows, it’s about meaningful exchange. Through projects like Shakespeare 400 Chicago, I saw firsthand how global partnerships can engage entire communities in dialogue. Moving forward, I believe such collaborations will become even more important, especially as we navigate new digital platforms alongside traditional live performance.

The pandemic has accelerated changes in how audiences engage with theatre. What’s your perspective on digital theatre and its place in the future of live performance?

Richard Jordan: Digital theatre is an exciting development, but I see it as complementary rather than a replacement for live performance. There’s no substitute for the communal experience of sitting in a theatre. That said, digital tools allow us to reach wider audiences and tell stories in innovative ways. It’s an additional creative avenue that I’m eager to keep exploring.

Criss Henderson: I agree. Digital platforms open doors to accessibility and innovation, but the heartbeat of theatre is live connection. Post-pandemic, audiences are craving shared experiences, and we should honor that. However, integrating digital elements can help us reach audiences who might not otherwise engage with theatre, whether due to geography, cost, or other barriers. The challenge is to balance both worlds thoughtfully.

Both of you have a track record of supporting new writing and emerging talent. Why is it so crucial to invest in new voices?

Richard Jordan: New voices are the lifeblood of the theatre. They bring urgency, diversity, and new stories to our stages. Supporting emerging writers and artists is not only about sustaining the art form but ensuring it evolves to reflect the world we live in. My commitment to new writing stems from a belief that theatre must be relevant and speak to contemporary audiences.

Criss Henderson: Exactly. Investing in new voices ensures the vitality of theatre. At Chicago Shakespeare Theater and now through Serendipity Theatricals, I’ve seen how empowering artists leads to extraordinary, transformative work. It’s also about expanding whose stories are told and who gets to tell them, which is essential for the future health and inclusivity of the performing arts.

What advice would you give to emerging producers or artists hoping to navigate today’s global performing arts landscape?

Richard Jordan: Be brave and curious. Seek out diverse collaborations and don’t be afraid to take risks artistically. The path can be challenging, but it’s also deeply rewarding. Also, build strong relationships, it’s a business built on trust and mutual respect.

Criss Henderson: I’d add: stay adaptable. The landscape is changing fast, and flexibility is key. Be open to new forms and new ways of working, but never lose sight of why you’re in this business—to tell stories that matter. And, above all, keep the audience at the center of your work.

Finally, what excites each of you most about the next chapter in your professional journeys?

Richard Jordan: For me, it’s continuing to discover new talent and create productions that resonate globally. There’s so much extraordinary work happening internationally, and I’m excited to keep building those bridges and bringing new stories to the stage.

Criss Henderson: I’m excited about shaping Serendipity Theatricals into a platform for innovative and accessible work. I want to champion new projects that push boundaries while staying deeply connected to audiences. The possibilities feel endless, and that’s what makes this moment so thrilling.